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Grand Aesthete

The Curator I

A grand world awaits.

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PricingOnly free issuesPublishesTwice weekly
Issues28Founded5 months agoLast Issue12 days ago
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Latest Issues

Metanarrative and the Sacred World

I stand before an icon of the Transfiguration.

Christ occupies the center, robed in white and surrounded by a mandorla of blue light. Moses and Elijah appear beside Him. Peter, James, and John have fallen across the rocky ground as though...

12 days ago
3

Why the Right Cannot Create a Culture

I. The Church Built Like a Strip Mall

Belief cannot preserve a civilization whose physical forms teach another creed.

The church stands at the far end of a six-lane commercial road, between a tire dealer and a climate-controlled sto...

19 days ago
1

Public Art Keeps Appearing, Yet Nobody Likes It

I. The Object Nobody Asked For

The trouble begins when a city commissions an answer before discovering whether its people share a question.

Read the orange sculpture first as an object. Examine the welded seams, coated steel, concre...

a month ago
5
2

Goth Deserves Better Than Black Plastic

I. The Candelabrum That Cannot Hold a Candle

When an object loses its function, material, and ceremony, its symbolism soon becomes pantomime.

On the shelf stands a black plastic candelabrum. It has five curled branches, simulated wa...

a month ago
1

Magic Is the Art of Making the Sacred Perceptible

An Orthodox icon begins with wood.

The panel is cut, braced, covered with linen, coated in gesso, drawn, gilded, and painted. Egg yolk binds the pigment. Gold leaf supplies the light. A chemist could identify every substance present and st...

a month ago
2

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  • The Curator I

    Gardening in the Desert of the Real

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