
《人文中国》刊登华语佳作,旨在在全世界推广优秀中华文化,与普世文明平等对话,有志成为欧美主流知识界了解中国人文思想深度的窗口;培育一个独立、纯粹、自治的跨国界高水准人文社群。
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张怀英,于华中科技大学同济医学院获学士学位(预防妇幼保健方向)和博士学位(儿童青少年心理健康与心理发展方向),目前和先生、孩子旅居美国。拥有十余年的育儿经历,结合医学背景,从神经生物学角度出发,致力于探索促进人身心健康、成长、疗愈的条件和情境。
回望2025年,体会最深刻的是整合、尊重两个词。在我学习的众多内容中,体验和神经生物学知识之间的连结整合让我对主观性有了深入的认识,也触碰到主观体验的重要意义,这样的认知让我尊重主观体验,并从主观体验出发去探索促进人成长、发展的过程...
任晶晶,文学艺术评论作者,《人文中国》特约评论员
内蒙古诗人西阔,2026年3月30日,自沉黄河。诗人去世,尤其是以这种非常态的方式离去,围绕他的判断,往往比作品本身更快堆积起来。西阔身后,也已经隐约出现了这种情形:一边是熟路,顺手把他归入“草原诗人”的谱系,仿佛草原、马匹、边地风物和辽阔气象,便足以概括他的写作;一边是迷雾,因为他的死,便急于把他抬进某种悲剧化、神秘化的祭坛,仿佛死亡本身已经替作品完成了加冕。这两条路,都不足以真正进入西阔的世界。比起追随这些过快的判断,更...
乐山将自己在新加坡获得“索因卡文学奖”英文散文集作品“One leaf heralds autumn“(一叶知秋)送给索因卡
乐山,作家、诗人、画家。其创作跨越文学与视觉艺术,以诗性语言与图像表达相结合,关注个体生命体验、记忆与文化之间的内在联系,呈现出独特的跨媒介艺术气质。
沃莱·索因卡(Wole Soyinka),尼日利亚作家、剧作家、思想家,1986年诺贝尔文学奖得主。其作品以深厚的文化根基与强烈的现实关怀著称,融合非洲传统叙事与现代戏剧形式,持续探讨权力、暴力与人...
作者为厦门大学历史教授
“文化大革命”爆发至今已整整60年,现在是中国人彻底反思文革的时候了。本文是作者对中学时代“文革”最初三年(1966—1968)的回顾和思考,目的是为民族记忆添砖加瓦,不使后人轻易忘记这一出历史悲剧。
说起文革,不得不稍微追溯一下文革前几年的情况。1963年我进入福州×中读书,一年之后转学回到祖籍地厦门,就读于厦门×中。当时父母亲在省城工作,祖父祖母则居住于厦门。我从之前的随父母生活转变为跟爷爷奶奶一起生活。
现在想起来,文革前几年的生活还算可以...
武匿,画家。其创作以绘画为主要媒介,注重通过视觉形式呈现内在感受与外部世界之间的张力。在其作品中,图像不仅是再现工具,更是一种构建感知与表达经验的方式。他关注画面结构、色彩关系与空间处理,通过不断调整视觉元素,使作品在形式与情绪之间形成一种稳定而富有张力的平衡。
十年前的盛夏,左家庄的街心公园。练八卦掌的程师父、练陈式太极拳的花李是这里的常客,身边围绕着各自的徒弟和武术爱好者。我模仿《雍正剑侠图》里学艺的童林,光着膀子闷头转树。
“小伙子块儿练得够棒的呀。”...
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