Notes on music and culture in the Bay Area and beyond
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 92 | Founded | 2 years ago | Last Issue | 9 days ago |
| Active | |||||
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Machaut must go on
Members of the men’s chorus Chanticleer in The Machaut Project (Photo: Scott Wall)
When I was enrolled in the UC Berkeley graduate program in musicology in the 1980s, there were one or two of my fellow students who were in the process of b...
Coming round the bend
San Francisco Symphony music director designate Elim Chan (Photo: Cody Pickens)
I have (or used to have) a reputation as a cranky type, someone who always seems too eager to find the worst in anything. It’s not true — well, it’s not entire...
Capital crimes
Lauren English, Sharon Shao, and Anthony Fusco in the world premiere of R.O.I. (Return on Investment) at San Francisco Playhouse (Photo: Jessica Palopoli)
R.O.I. (Return on Investment), now playing in a world premiere production at San Fra...
I like to move it, move it
Markel Reed and John Bellemer in American Apollo at West Edge Opera (Photo: Cory Weaver)
Open the score of a standard operatic work — literally any piece by Mozart, Verdi, Wagner, or Britten — and you’ll encounter something increasingly ra...
Boom! Bam! Pow!
Kyle Tingzon in the title role of Handel’s Rinaldo at West Edge Opera (Photo: Cory Weaver)
Director Keturah Stickann’s delightfully entertaining new production of Handel’s Rinaldo for West Edge Opera turns on a simple but probing observati...
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