I write about dance from San Francisco for the SF Chronicle, Fjord Review, and other publications, and collect my writings in this newsletter. I also am a novelist, memoirist, and writing teacher, and include updates on my literary work and classes here.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 55 | Founded | 3 years ago | Last Issue | 4 days ago |
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rachelhowardfootnotes.substack.comLatest Issues
UC Berkeley dance chair SanSan Kwan’s “How to Make a Passive Dance”
In my latest review for the San Francisco Chronicle, I look at a premiere by UC Berkeley dance chair SanSan Kwan, who has for more than 20 years been known primarily as a dance scholar, but whose emerging choreography calling is well worth...
Johnny Huy Nguyen’s powerful “BURN” at State of Play fest
My SF Chronicle review of the State of Play dance fest opening—if you can see Johnny Huy Nguyen’s solo when it repeats tomorrow (Sunday) at 4:30, I highly recommend:
At a time when the arts face such an urgent fight for survival, it’s wo...
Three dancers, a driverless car, and a 300 lb block of ice
Jess Curtis/Gravity lives on, as a new generation reimagines a radical, historic work
Such a historic weekend in Bay Area dance, carrying Jess Curtis’s legacy forward:
Remembering the Dance Benefactor Dianne Vapnek
A tribute
DANCEworks residency founder Dianne Vapnek with choreographer Brian Brooks inside Santa Barbara’s Lobero Theater. DANCEworks residencies supported dances created by, among others, Aszure Barton, Mark Dendy, and Larry Keigwin. Pho...
A Joyous New Season from Ballet22
The Bay Area company of male, trans, and non-binary dancers on pointe delivers a sharp premiere by Keelan Whitmore.
Such a joy to review Ballet22 again for Fjord Review:
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Authors
The writers behind this newsletter.
Novelist, memoirist, dance critic. Lover of particulars, pluralism, paradox. 2024 NEA literature fellow. I write about dance for Fjord Review and the San Francisco Chronicle. Books: The Risk of Us, The Lost Night. At work on another memoir.
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