
Nibbling at the periphery
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 53 | Founded | 2 years ago | Last Issue | 9 days ago |
| Active | |||||

I first became intrigued by Adam Abdalla with the launch of his Orange Crush magazine, subtitled “The Journal of Art & Wrestling”. Filled with glossy art photography of top indie wrestlers and thoughtful profiles of the athletes, it took th...
For thirty years the Vision Festival has been the keeper of the free jazz flame. But what was once called “the new thing” is now entering old age, if you date it to the release of Ornette Coleman’s Free Jazz in 1961. Artistic director/danc...
Forget The Odyssey: my summer blockbuster is the Universal Westerns series at the Museum of Modern Art, curated by Dave Kehr, that opens today and runs through July 3rd. The series spans the entire life cycle of the genre from 1917 to 1982,...
Afraid to Talk (1932)
The budget-minded Old New will not be covering the Cannes Film Festival, but will be devoted to stained carpet coverage of the Edward L. Cahn Film Festival taking place on my couch in Brooklyn. This is inspired by Hen...
Amina Claudine Myers (photo by Peter Serling, @lotsopiktures)
In 2023 Seth Colter Walls wrote in the New York Times that Long Play was the “most important classical music festival in New York City.” In 2026 the New York Times no longer cov...
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The writers behind this newsletter.
Occasional film critic
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